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1997 American moving-picture show directed past Don Bluth and Gary Goldman

Anastasia
A girl standing in an enormous doorway

Theatrical release poster
Directed by
  • Don Bluth
  • Gary Goldman
Screenplay past
  • Susan Gauthier
  • Bruce Graham
  • Bob Tzudiker
  • Noni White
Story past Eric Tuchman
Based on Anastasia
by Arthur Laurents
Anastasia
by Marcelle Maurette
Produced past
  • Don Bluth
  • Gary Goldman
Starring
  • Meg Ryan
  • John Cusack
  • Kelsey Grammar
  • Christopher Lloyd
  • Hank Azaria
  • Bernadette Peters
  • Kirsten Dunst
  • Angela Lansbury
Edited past
  • Bob Bender
  • Fiona Trayler
Music by David Newman

Production
companies

Fox Family Films[1] [2]
Fob Animation Studios[3]

Distributed by 20th Century Fox[two]

Release dates
  • November 14, 1997 (1997-11-14) (New York Metropolis premiere)
  • November 21, 1997 (1997-11-21) (Us)

Running time

 94 minutes[4]
Country United States[2]
Language English
Budget $53 million[v]
Box office $140 million[half-dozen]

Anastasia is a 1997 American animated musical alternate history film produced past Fox Animation Studios and distributed by 20th Century Fox. Directed past Don Bluth and Gary Goldman; it stars Meg Ryan, John Cusack, Kelsey Grammer, Hank Azaria, Christopher Lloyd, Bernadette Peters, Kirsten Dunst, and Angela Lansbury.[7] Based on the legend of Grand Duchess Anastasia, the film follows an 18-yr-quondam amnesiac Anastasia "Anya" Romanov who, hoping to detect some trace of her deceased family, sides with ii con men who wish to take advantage of her likeness to the Grand Duchess; thus the movie shares its plot with Fox's prior film from 1956, which, in turn, was based on the 1954 play of the aforementioned proper name by Marcelle Maurette. Unlike those treatments, this version adds a magically-empowered Grigori Rasputin as the main antagonist.

Anastasia premiered in New York City on November fourteen, 1997, and was released theatrically in the Usa on November 21. Critics praised the animation, vocalism performances, and soundtrack, though it attracted criticism from some historians for entertaining such a retelling of the Grand Duchess. Anastasia grossed $140 1000000 worldwide, making it the most profitable movie from Bluth and Fox Animation Studios. Information technology received nominations for several awards, including for Best Original Song ("Journey to the By") and Best Original Musical or Comedy Score at the 70th Academy Awards. The success of Anastasia spawned various adaptations of the film into other media, including a direct-to-video spin-off moving picture, a computer game,[eight] books, toys and a stage musical, which premiered in 2016.[9] [x]

Due to the creation of Pull a fast one on Blitheness Studios, Anastasia was the first 20th Century Flim-flam animated feature to be produced by its own animation division 20th Century Fox Animation.

Plot [edit]

In 1916 Petrograd, Russia, at a ball celebrating the Romanov tricentennial, Dowager Empress Marie bestows a music box and a necklace inscribed with the words "Together in Paris" as departing gifts to her youngest granddaughter, 8-twelvemonth-old 1000 Duchess Anastasia. The ball is suddenly interrupted past Grigori Rasputin, a wizard and the former purple adviser until he was exiled for treason. Seeking revenge, Rasputin sells his soul in exchange for an unholy reliquary, which he uses to curse the Romanovs, sparking the Russian Revolution. As revolutionaries besiege the palace, Marie and Anastasia escape through a secret passageway, aided by x-year-onetime servant boy Dimitri. Rasputin confronts the two royals outside on a frozen river, only to fall through the ice and drown. The pair manage to reach a moving train, but as Marie climbs aboard, Anastasia falls and hits her head on the platform, later on suffering amnesia.

Ten years later, in 1926 Russia is nether communist rule and Marie has publicly offered 10 million rubles for the safe return of her granddaughter. At present working as a conman, a grown Dimitri and his friend/partner-in-crime, Vlad, search for an Anastasia look-alike to bring to Paris so they can collect the reward. Elsewhere, an 18-year-old Anastasia (now called "Anya") leaves the rural orphanage where she grew up, and begins a search for her family unit with her necklace as the only inkling she has to finding them. Accompanied past a stray puppy she names Pooka, she decides to head to Paris, inspired by the inscription on her necklace, but finds herself unable to leave Russia without an leave visa. An erstwhile woman advises her to meet Dimitri at the abased palace; in that location, the two men are impressed past Anya's resemblance to the "real" Anastasia, and decide to have her with them to Paris, completely unaware of her identity.

Meanwhile, Rasputin's albino bat minion, Bartok, is nearby and notices his primary's dormant reliquary all of a sudden revived by Anya'due south presence; it drags him to limbo, where he finds an undead Rasputin has been bars. Enraged to hear that Anastasia escaped the expletive, Rasputin sends his demonic minions from the reliquary to kill her. The demons demolition the trio's railroad train by overheating the engine and separating it and its ruined baggage motorcar from the rest of the railroad train as they leave Saint petersburg, but the trio manages to escape earlier the burning locomotive and baggage motorcar fall through a cleaved bridge and explode on the ground below. Afterwards, the demons endeavour to lure Anya into sleepwalking off their send to France. The trio unwittingly foil both attempts, forcing Rasputin and Bartok to travel back to the surface to kill Anya personally. During their journey, equally Dimitri and Vladimir teach Anya courtroom etiquette and her family's history, Dimitri and Anya begin to autumn in dear.

The trio eventually attain Paris and go to run across Marie, who has given up the search after meeting numerous impostors. Despite this, Marie's cousin Sophie quizzes Anya to confirm her identity. Though Anya offers every respond taught to her, Dimitri finally realizes she is the real Anastasia when she (without beingness taught) vaguely recalls how he helped her escape the palace siege. Sophie, also convinced, arranges a meeting with Marie at the Paris Opera House. There, Dimitri tries to establish an introduction but Marie refuses, assertive Anya will be some other imposter and has already heard of Dimitri's initial scheme to con her. Anya overhears the chat and angrily leaves. Dimitri later abducts Marie in her machine to force her to see Anya, finally convincing her when he presents the music box Anastasia dropped during their escape. As Marie and Anya converse, Anya regains her memories, and the two sing the lullaby the music box plays, a underground only the 2 of them knew. Marie recognizes Anya every bit Anastasia, and the two are joyfully reunited.

Marie offers Dimitri the reward coin the next solar day, recognizing him as the servant male child who saved them, but he refuses it, surprising her, and leaves to return to Russia. At Anastasia's return celebration, Marie informs her of Dimitri'south gesture, leaving Anastasia torn between staying or going with him. Anastasia walks off to the Pont Alexandre III, where Rasputin traps and attacks her. Dimitri returns to salvage her, but is attacked by a Black Pegasus statue enchanted by Rasputin. In the struggle, Anastasia manages to become hold of Rasputin'south reliquary and crushes information technology under her foot, avenging her family unit every bit Rasputin's demons plough on him and destroy him, thus ending the Romanov expletive forever.

In the backwash, Anastasia and Dimitri reconcile; they elope, and Anastasia sends a farewell letter to Marie and Sophie, promising to return 1 mean solar day, which Marie happily accepts. A female person bat comes along to kiss Bartok, whilst Bartok bids the audience goodbye.

Vocalisation cast [edit]

  • Meg Ryan equally Anastasia "Anya" Romanov: Raised as an orphan, sets out on a journey to detect her true heritage.
    • Liz Callaway provides the singing phonation for Anastasia.
    • Kirsten Dunst provides the speaking vocalism for young Anastasia.
      • Lacey Chabert provides the singing vox for immature Anastasia.
  • John Cusack as Dimitri: A young con-homo, a former servant of the Romanovs, and Anastasia'southward love interest.
    • Jonathan Dokuchitz provides the singing voice for Dimitri.
    • Glenn Walker Harris Jr. provides the phonation for young Dimitri.
  • Kelsey Grammer as Vladimir "Vlad" Vasilovich: A former nobleman turned con-artist, and a friend of Dimitri.
  • Christopher Lloyd as Grigori Rasputin: An evil monk and sorcerer who cast a curse upon the Romanov family.
    • Jim Cummings provides the singing voice of Rasputin.[11]
  • Hank Azaria as Bartok: Rasputin'south mild-mannered, talking, albino bat banana who serves equally the film'southward comic relief.
  • Angela Lansbury as Marie Feodorovna Romanov: The Dowager Empress, mother of Nicholas Ii, and Anastasia'southward grandmother.
  • Bernadette Peters equally Sophie Stanislovskievna Somorkov-Smirnoff, Marie's first cousin, and lady-in-waiting.
  • Andrea Martin as "Comrade" Phlegmenkoff, the orphanage'due south inconsiderate possessor.
  • Rick Jones as Nicholas Ii Romanov, the concluding Tsar of Imperial Russia and Anastasia's father.
    • Jones also provided vocalisation-over work for the voices of a revolutionary soldier, a servant, and a ticket agent.
  • Charity James equally Anastasia impostor
  • Debra Mooney every bit an Actress
  • Arthur Malet every bit Traveling Man Majordomo

J. M. Simmons, Victoria Clark, Baton Porter, Patrick Quinn and Lillias White were among the ensemble and grapheme voices.

Production [edit]

Evolution [edit]

In May 1994, the Los Angeles Times reported that Don Bluth and Gary Goldman had signed a long-term deal to produce animated features with 20th Century Play a joke on with the studio channeling more than $100 million in constructing the animation studio.[12] They selected Phoenix, Arizona, for the location of the new animation studio because the state offered the company nearly $one million in task training funds and depression-interest loans for the state-of-the-art digital blitheness equipment,[13] with a staff of 300 artists and technicians, a tertiary of whom worked with Bluth and Goldman in Dublin, Republic of ireland, for Sullivan Bluth Studios.[xiv] For their start project, the studio insisted they select one out of a dozen existing properties which they endemic where Bluth and Goldman suggested adapting The Male monarch and I and My Fair Lady,[fifteen] though Bluth and Goldman felt it would be impossible to meliorate on Audrey Hepburn'due south operation and Lerner and Loewe'south score. Following several story suggestions, the idea to adapt Anastasia originated from Fox Filmed Entertainment CEO Nib Mechanic. They would later adapt story elements from Pygmalion with the peasant Anya being molded into a regal adult female.[xvi]

Early on into production, Bluth and Goldman began researching the actual events through enlisting sometime CIA agents stationed in Moscow and St. Petersburg.[17] Around this aforementioned time, screenwriter Eric Tuchman had written a script that co-screenwriter Bruce Graham described equally being "very developed, very based in reality, all about politics, and without any magic or comedy". Eventually, Bluth and Goldman decided the history of Anastasia and the Romanov dynasty was too dark for their moving picture.[xvi] In 1995, Graham and Susan Gauthier reworked Tuchman'south script into a light-hearted romantic comedy. When Graham and Gauthier moved onto other projects, the husband-and-wife screenwriting team Bob Tzudiker and Noni White were hired for additional rewrites.[xviii] Actress Carrie Fisher also made uncredited rewrites of the movie, particularly the scene in which Anya leaves the orphanage for Paris.[19]

For the villains, Bluth also did not have into consideration depicting Vladimir Lenin and the Bolsheviks, and initially toyed with the idea of a police force master with a vendetta against Anastasia. Instead, they decided to have Grigori Rasputin as the villain with Goldman explaining information technology was because of "all the dissimilar things they did to try to destroy Rasputin and what a horrible man he really was, the more it seemed flavory to make him the villain".[17] In reality, Rasputin was already dead when the Romanovs were assassinated. In addition to this, Bluth created the idea for Bartok, the albino bat, every bit a sidekick for Rasputin: "I just thought the villain had to have a comic sidekick, just to let everyone know that information technology was all right to express mirth. A bat seemed a natural friend for Rasputin. Making him a white bat came later – just to make him different".[20] Composers Stephen Flaherty and Lynn Ahrens recalled existence at Au Bon Hurting in New York City where Rasputin and Bartok were pitched, and existence dismayed at the decision to go down a historically inaccurate route; they made their stage musical adaption "more sophisticated, more far-reaching, more political" to comprehend their original vision.[21]

Casting [edit]

Bluth stated that Meg Ryan was his first and only choice for the title graphic symbol. However, Ryan was indecisive near accepting the office due to its dark historical events.[22] To persuade her, the animation team took an sound clip of Annie Reed from Sleepless in Seattle and created an blitheness reel based on it which was screened for her following an invitation to the studio. Ryan later accepted the role; in her words "I was blown abroad that they did that".[23] Before Ryan was cast, Broadway singer and actress Liz Callaway was brought in to record several demos of the songs hoping to state a job in background vocals, just the demos were liked well enough by songwriters that they were ultimately used in the terminal film.[24] John Cusack openly admitted after being cast that he couldn't sing;[25] his singing duties were performed by Jonathan Dokuchitz.[26] Goldman had commented that originally, as with the rest of the cast, they were going to have Ryan record her lines separately from the others, with Bluth reading the lines of the other characters to her. Still, afterward Ryan and the directors were finding the method to exist besides challenging when her character was paired with Dimitri, she and Cusack recorded the dialogue of their characters together, with Goldman noting "it made a huge departure".[17]

Peter O'Toole was considered for the office of Rasputin, but Christopher Lloyd was hired considering of his popularity from the Dorsum to the Hereafter trilogy. Bartok was initially written for Woody Allen, simply the studio was reluctant to hire him following revelations of his human relationship with his ex-partner Mia Farrow'due south adoptive daughter, Presently-Yi Previn. Martin Short was also considered, merely Hank Azaria won the office ten minutes into his audition.[17] [18]

Musical score and soundtrack album [edit]

The picture score was composed, co-orchestrated, and conducted by David Newman, whose father, Alfred Newman, equanimous the score of the 1956 film of the same proper noun.[27] The songs, of which "Journey to the Past" was nominated for the Academy Award for Best Original Song, were written by Lynn Ahrens and Stephen Flaherty.[28] The offset vocal they wrote for the projection was "One time Upon a December"; it was written during a heatwave "and so [they were] sweating and writing winter imagery".[21] The motion-picture show's soundtrack was released in CD and audio cassette format on October 28, 1997.[29]

Release [edit]

20th Century Fox scheduled for Anastasia to exist released on Nov 14, 1997. Disney scheduled their re-release of The Little Mermaid for the aforementioned twenty-four hours (Anastasia was then shifted to a week later) and claimed it had long-planned for the re-release to coincide with a consumer products campaign leading into Christmas and the film's home video release in March 1998, as well continue the tradition of re-releasing their films within a seven-to 8-year interval,[thirty] just they also scheduled the release of several competing family unit films including Flubber and a double feature of George of the Jungle and Hercules [xxx] on that following weekend, and banned advertisements for Anastasia - as well equally whatsoever clips from the movie from beingness included in other advertisements - on the ABC program The Wonderful World of Disney.[31]

Commenting on the fierce competition between the two films, Disney spokesman John Dreyer brushed off allegations of studio rivalry, claiming: "Nosotros always re-release our movies around holiday periods". However, Fox executives refused to believe Dreyer's statement with Neb Mechanic responding that "it's a deliberate try to be a keen, to kick sand in our confront. They can't be trying to maximize their own business; the amount they're spending on advertisement is ridiculous... It'south a concentrated effort to keep our film from fulfilling its potential".[32]

Marketing [edit]

Anastasia was accompanied with a marketing campaign at more $l million with promotional sponsors from Burger Rex, Dole Food Company, Hershey, Chesebrough-Ponds, Macy's Thanksgiving Mean solar day Parade, Beat out Oil, and the 1997 U.S. Figure Skating Championships. Overall, the marketing costs exceeded that of Independence Day by more 35 percent.[33] For merchandising, Fox selected Galoob to license dolls based on Anastasia.[32] Many storybooks adjusted from the moving-picture show were released past Picayune Aureate Books. In August 1997, the SeaWorld theme parks in San Diego and Orlando featured a 40-foot-long, xx-foot-loftier inflatable playground for children chosen "Anastasia's Kingdom".[34]

Home media [edit]

On April 28, 1998 and Jan 1, 1999, Anastasia was released on VHS, LaserDisc and DVD and sold eight million units.[35] The film was reissued on a 2-disc "Family Fun Edition" DVD with the motion-picture show in its original theatrical 2.35:i widescreen format on March sixteen, 2006. The first disc independent the picture show, an optional audio commentary from directors/writers Bluth and Goldman, and bonus features. The second contained a making-of documentary, music video and making-of featurette of Aaliyah'southward "Journey to the Past", and boosted bonus content.[36] The moving-picture show was released on Blu-ray on March 22, 2011; this came with Bartok the Magnificent in the special features.[37]

Anastasia became available on Dec 4, 2020 on Disney+,[38] [39] following Disney's conquering of 20th Century Pull a fast one on on March xx, 2019.[40] It was later removed from Disney+ on March 1, 2022 and volition exist heading to Starz on March 18, 2022; contrary to popular conventionalities, the flick was not removed in response to the 2022 Russian invasion of Ukraine (Disney had suspended theatrical releases in Russia such as the then upcoming Turning Ruddy, which led to confusion that Anastasia'south removal was connected to this).[41] [42]

Reception [edit]

Review aggregator website Rotten Tomatoes gives the film a score of 86% based on 56 reviews and an average rating of 7.eleven/10. The website's consensus reads: "Beautiful animation, an affable take on Russian history, and strong phonation performances make Anastasia a winning first motion picture from Trick Animation Studios".[43] On Metacritic, the motion picture has a score of 61 out of 100 based on nineteen reviews, indicating "generally favorable reviews".[44]

Roger Ebert of the Chicago Sun-Times awarded the film 3-and-a-half out of four stars, praising "the quality of the story" and writing the upshot as entertaining and sometimes exciting.[45] Factor Siskel of the Chicago Tribune gave Anastasia 3 stars, calling the lead character "pretty and charming" merely criticizing the film for a lack of historical accuracy.[46] The Cincinnati Enquirer described the motion-picture show as "charming" and "entertaining", calling Anastasia as a tasty tale most a fairy-tale princess.[47] Lisa Osbourne of Boxoffice chosen the pic "pure family entertainment".[48] Awarding the moving-picture show three out of five stars, Empire 'southward Philip Thomas wrote that despite historical inaccuracies, Anastasia manages to be a charming little movie.[49]

Several critics have drawn positive comparisons betwixt Anastasia and the Disney films released during the Disney Renaissance, noting similarities in their story and blitheness styles. Marjorie Baumgarten of The Austin Chronicle awarded the film three out of five stars. Likening its quality to that of a Disney blithe film, Baumgarten wrote that Anastasia "may non beat Disney at its ain game, simply it sure won't exist for lack of trying". Baumgarten continued that "[t]his sumptuous-looking movie clearly spared no expense in its visual rendering; its optical flourishes and attention to detail aim for the Disney gold standard and, for the most part, come pretty darn shut".[50] The Phoenix 's Jeffrey Gantz jokingly stated: "[I]f imitation is indeed the sincerest form of flattery, so the folks at Disney should feel royally complimented past Twentieth Century Fox's new blithe feature nigh Tsar Nicholas Ii's youngest daughter".[51] Owen Gleiberman of Entertainment Weekly wrote that Play a joke on has a beautifully animated musical that can challenge Disney'due south peer, just also said that Anastasia has junior animation style compared to Disney's and lacks its magic.[52]

Critical response [edit]

Critical reception in Russia was also, for the most function, positive despite the artistic liberties that the motion-picture show took with Russian history. Gemini Films, the Russian distributor of Anastasia, stressed the fact that the story was "not history", but rather "a fairy tale set against the groundwork of existent Russian events" in the film's Russian marketing entrada then that its Russian audience would not view Anastasia every bit a historical film.[53] As a result, many Russians praised the moving-picture show for its fine art and storytelling and saw it as not a piece of history simply another Western import to be consumed and enjoyed.[53]

Some Russian Orthodox Christians, on the other mitt, found Anastasia to be an offensive delineation of the Grand Duchess, who was canonized every bit a new martyr in 1981 by the Russian Orthodox Church Outside Russia.[54] Many historians echoed their sentiments, criticizing the moving-picture show as a sanitized, saccharide-coated reworking of the story of the Czar'due south youngest daughter.[55] While the filmmakers best-selling the fact that "Anastasia uses history only as a starting point", others complained that the motion picture would provide its audience with misleading facts almost Russian history, which, according to the author and historian Suzanne Massie, has been falsified for so many years.[56] Similarly, the amateur historian Bob Atchison said that Anastasia was akin to someone making a film in which Anne Frank "moves to Orlando and opens a crocodile farm with a guy named Mort".[56]

Some of Anastasia's contemporary relatives also felt that the picture was distasteful, but most Romanovs accept come to take the "repeated exploitation of Anastasia'south romantic tale... with equanimity".[56]

Box function [edit]

A limited release of Anastasia at the Ziegfeld Theatre in New York Metropolis on the weekend of November 14, 1997, grossed $120,541.[57] The following week, the broad release of Anastasia in the The states made $14.ane million (for an average of about $5,692 from 2,478 theaters), which placed it equally the #2 motion picture (behind Mortal Kombat: Annihilation) for the weekend of November 21–23, 1997. By the end of its theatrical run, Anastasia had grossed $58.four million in the North American box office and $81.4 meg internationally.[6] The worldwide gross totaled up to about $139.viii 1000000, making information technology Don Bluth'southward highest-grossing film to date and beating out his side by side highest-grossing pic, An American Tail, past about $55 million.[58] This was Don Bluth's first financially successful film since All Dogs Go to Heaven.

Adaptations [edit]

Ice Follies [edit]

Anastasia On Water ice was a licensed accommodation produced by Feld Entertainment'south on water ice unit that ran from at least 1998 to 1999.[59] [60]

Spin-off prequel [edit]

In 1999 a direct-to-video spin-off and prequel called Bartok the Magnificent was released which focused on the character of Bartok.[61]

Stage musical adaptation [edit]

In April 2015, Hartford Stage planned to premiere a new stage production of Anastasia, with the book past Terrence McNally, lyrics past Lynn Ahrens, music by Stephen Flaherty and directed by Darko Tresnjak.[62] The production ran from May xiii through June 19, 2016.[63]

It is an original new musical combining both the 1956 Fox film and the 1997 blithe pic. Co-ordinate to Tresnjak, the musical features 6 songs from the animated film and additionally includes 16 new songs. Additionally, there accept been some newly rewritten characters including Checkist secret police officer Gleb Vaganov (in the identify of Rasputin), and Lily, who has been renamed in the place of Sophie.[64] McNally said: "This is a stage version for a modernistic theatre audience... The libretto's 'a blend' of old and new... There are characters in the musical that appear in neither the cartoon nor the Ingrid Bergman version".[65]

The Hartford product featured Christy Altomare as Anastasia / Anya, Derek Klena as Dimitri, Mary Beth Peil as The Dowager Empress Maria Feodorovna, Manoel Felciano every bit Gleb Vaganov, John Bolton as Vladimir, Caroline O'Connor every bit Lily, and Nicole Scimeca equally Young Anastasia.[66] The musical transferred to Broadway with much of the original Hartford bandage, opening on April 24, 2017, at the Broadhurst Theater[67] to mixed reviews.

Accolades [edit]

Anastasia received the Circulate Film Critics Association Accolade for All-time Family Picture[68] and was nominated for 7 others, including two Academy Awards in the categories of Best Original Musical or Comedy Score (lost to The Full Monty) and Best Original Vocal for "Journey to the By" (lost to "My Middle Will Go On" from Titanic).[69] [70] The R&B singer Aaliyah performed her pop single version of "Journey to the Past" at the 70th Academy Awards.[71]

See besides [edit]

  • Anna Anderson
  • Romanov impostors
  • List of 20th Century Studios theatrical animated feature films

References [edit]

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External links [edit]

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Source: https://en.wikipedia.org/wiki/Anastasia_(1997_film)

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